Cambridge, University Library, Mm.ii.9

Siglum
GB-Cu Mm.ii.9
Century
13th century
Provenance
Barnwell
Order
Augustinian
Male/Female
Male
Notation
Square notation
Differentiae type
In-line
Information on differentia

In the original Cantus index for this manuscript, differentiae were assigned codes in accordance with the Sarum Tonale.

Sources

Collamore, Lila, Joseph P. Metzinger, and Keith Glaeske. Inventory of Cambridge, University Library, Mm.ii.9. In: Cantus Manuscript Database for Latin Ecclesiastical Chant: Inventories of Chant Sources. Directed by Debra Lacoste (2011-), Terence Bailey (1997-2010), and Ruth Steiner (1987-1996). Web developer, Jan Kolácek (2011-).

Frere, Walter Howard, ed. The Use of Sarum, II. The Ordinal and Tonale. Cambridge: Cambridge University Press, 1901. Frere, Walter Howard ed. Antiphonale Sarisburiense. London: Plainsong and Mediaeval Music Society, 1901-24; reprint, Farnborough: Gregg Press Limited, 1966.

Manuscript index
Contains 50 unique differentiae
Diff. ID Melodic transcription Mode Old code
67c 1--h-h-g-f-gh-gh--4 Mode 1 9
69b 1--h-h-g-f-gh-gf--4 Mode 1 2
75d 1--h-h-g-f-g-gfed--4 Mode 1 5
301a 1--h-h-g-f-g-gfedg--4 Mode 1 7
66l 1--h-h-g-f-g-ghg--4 Mode 1 3
T75dA 1--m-m-l-k-l-lkjh--4 Mode 1 5
74e 1--h-h-g-f-gff-d--4 Mode 1 8
66d 1--h-h-g-f-gh-g--4 Mode 1 1
64b 1--h-h-g-f-g-h--4 Mode 1 4
293a 1--h-h-g-f-g-gfedf--4 Mode 1 6
152b 1--f-f-f-e-c-d--4 Mode 2 1
T152b 1--k-k-k-j-g-h--4 Mode 2 1
89i 1--k-k-k-h-k-khh--4 Mode 3 5
102d 1--k-k-kj-hj-hG-gh--4 Mode 3 1
308b 1--k-k-kj-hjh-gf-efd--4 Mode 3 3
98c 1--k-h-k-j-h-g--4 Mode 3 6
T102d 1--f-f-fe-de-dC-cd--4 Mode 3 1
96a 1--k-k-k-h-k-j--4 Mode 3 4
101i 1--k-k-kj-hj-hG-g--4 Mode 3 2
11r 1--h-g-h-h-h-h--4 Mode 4 6
T19bB 1--l-k-l-ml-kjh-h--4 Mode 4 1
T55a 1--l-l-l-l-km-l--4 Mode 4 8
T27aA 1--l-k-l-m-k-h--4 Mode 4 4
11a 1--h-h-h-h-g-h--4 Mode 4 7
22a 1--h-g-h-jh-gfe-fdd--4 Mode 4 2
T31a 1--l-k-l-m-k-hk--4 Mode 4 5
19b 1--h-g-h-jh-gfe-e--4 Mode 4 1
55a 1--h-h-h-h-gj-h--4 Mode 4 8
21c 1--h-g-h-jh-gfe-ef--4 Mode 4 3
T231a 1--o-o-m-n-l-k--4 Mode 5 3
129a 1--k-k-l-j-k-h--4 Mode 5 1
130a 1--k-k-l-j-k-hk--4 Mode 5 2
T7eB 1--m-m-k-lm-lK-k--4 Mode 6 1
7e 1--h-h-f-gh-gF-f--4 Mode 6 1
148u 1--l-l-m-l-klK-k--4 Mode 7 5
144a 1--l-l-m-l-k-jk--4 Mode 7 2
T142aB 1--o-o-p-o-n-m--4 Mode 7 3
143b 1--l-l-m-l-k-jh--4 Mode 7 1
148b 1--l-l-m-l-k-lk--4 Mode 7 6
T144aA 1--g-g-h-g-f-ef--4 Mode 7 2
146a 1--l-l-m-l-k-jl--4 Mode 7 4
T143bA 1--g-g-h-g-f-ed--4 Mode 7 1
142a 1--l-l-m-l-k-j--4 Mode 7 3
T118aA 1--f-f-e-f-d-c--4 Mode 8 1
103e 1--k-k-j-h-k-k--4 Mode 8 3
99d 1--k-k-h-k-l-k--4 Mode 8 2
250a 1--k-k-j-k-h-ghgf--4 Mode 8 4
118a 1--k-k-j-k-h-g--4 Mode 8 1
T99d 1--f-f-d-f-g-f--4 Mode 8 2
166a 1--g-g-f-d-f-ed--4 Tonus Peregrinus 5

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