Toledo, Catedral - Archivo y Biblioteca Capítulares, 44.2


E-Tc 44.2
Specific date
Monastic order or cathedral
Differentia type
Information on differentiae

Many of the differentiae in this manuscript are abbreviated to the "Amen", but the complete differentia can be inferred from the differentia's mode. See Lila Collamore's dissertation and Rebecca Shaw's thesis.

In the original Cantus index for this manuscript, differentiae are identified by their last note and a number to distinguish between differentiae of the same mode that end on the same note. The same differentia codes were used in E-Tc 44.1, E-Tc 44.2, and F-Pnm lat. 1090. Where a differentia varies minimally, i.e., in neumation, a lower-case letter was included in the "Extra" field of the original index. This letters are only pertinent to the source in question, not all three sources.


Olexy, Ronald T., Joseph P. Metzinger, Lila Collamore, Keith Falconer, and Richard Rice. Inventory of Toledo, Catedral - Archivo y Biblioteca Capítulares, 44.2. In: Cantus: A Database for Latin Ecclesiastical Chant: Inventories of Chant Sources. Directed by Debra Lacoste (2011-), Terence Bailey (1997-2010), and Ruth Steiner (1987-1996). Web developer, Jan Kolácek (2011-).

Collamore, Lila. Aquitanian Collections of Office Chants: a Comparative Survey. Ph.D. dissertation, The Catholic University of America, 2000.

Differentiae indexed in consultation with a microfilm facsimile of the manuscript.

Indexing notes

Standardized manuscript tonary completed by Rebecca Shaw (Dalhousie University) on March 3, 2019. Edited by Jennifer Bain, Sister Ilaria Culshaw, Lucia Denk, Brayden Olson, and Rebecca Shaw (Dalhousie University) on June 18, 2019.

Contains 58 unique differentiae

Diff. ID Melodic transcription Mode Old code
67c 1--h-h-g-f-gh-gh--4 Mode 1 A
64s 1--h-h-g-f-gh-h--4 Mode 1 A2
64b 1--h-h-g-f-g-h--4 Mode 1 A2a
11b 1--h-h-h-h-g-h--4 Mode 1 A3
60a 1--h-h-g-f-h-gfed--4 Mode 1 D
330a 1--h-h-gh-hgfg-gff-d--4 Mode 1 D2
74b 1--h-h-hg-fg-gff-d--4 Mode 1 D2a
72b 1--h-h-g-f-gh-gfed--4 Mode 1 Da
326a 1--h-h-g-f-h-gfede--4 Mode 1 E, Ea
331a 1--h-h-g-f-h-gfeded--4 Mode 1 Ec
69b 1--h-h-g-f-gh-gf--4 Mode 1 F
66i 1--h-h-g-f-gh-gg--4 Mode 1 G, Ga
66d 1--h-h-g-f-gh-g--4 Mode 1 G2
52c 1--h-h-h-h-g-ghg--4 Mode 1 G3
152c 1--f-f-f-e-cd-d--4 Mode 2 D
91d 1--k-kh-k-hj-hg-gh--4 Mode 3 A, Aa
213c 1--k-k-k-hg-kj-j--4 Mode 3 B
213a 1--k-k-k-hg-kk-j--4 Mode 3 Bd, Be
372b 1--k-kh-k-hj-hg-fe--4 Mode 3 E
90e 1--k-kh-k-hj-hg-g--4 Mode 3 E2
90h 1--k-kh-k-hj-hhG-g--4 Mode 3 G
90i 1--k-kh-k-hj-hhg-g--4 Mode 3 Ga
90f 1--k-kh-k-hj-hh-g--4 Mode 3 Gb
25h 1--h-hg-h-hj-g-gh--4 Mode 4 A
11m 1--h-h-h-h-gh-h--4 Mode 4 A3
19a 1--h-g-h-jh-gf-e--4 Mode 4 E
19s 1--h-g-h-jh-ggf-e--4 Mode 4 E2
27m 1--h-g-h-j-ggF-ge--4 Mode 4 E2a
27c 1--h-g-h-j-gg-e--4 Mode 4 E2b
34b 1--h-g-h-j-gf-e--4 Mode 4 E2c
27a 1--h-g-h-j-g-e--4 Mode 4 E2d
320b 1--h-g-h-j-gf-ef--4 Mode 4 F, Fa, F2
28a 1--h-g-h-j-g-ef--4 Mode 4 Fb
24d 1--h-hg-h-hj-g-g--4 Mode 4 G
129e 1--k-k-l-j-jk-h--4 Mode 5 A
129a 1--k-k-l-j-k-h--4 Mode 5 Aa
69w 1--h-hg-f-gh-ggf-f--4 Mode 6 F
69k 1--h-hg-f-gh-gg-f--4 Mode 6 Fb
69x 1--h-hg-f-gh-ggF-f--4 Mode 6 Fc
69i 1--h-hg-f-gh-g-f--4 Mode 6 Fd
143b 1--l-l-m-l-k-jh--4 Mode 7 A
142a 1--l-l-m-l-k-j--4 Mode 7 B
142j 1--l-l-m-l-kk-j--4 Mode 7 Ba, B2b, B2c
144a 1--l-l-m-l-k-jk--4 Mode 7 C, Ca
148a 1--l-l-m-l-kl-k--4 Mode 7 C2
148b 1--l-l-m-l-k-lk--4 Mode 7 C3
145a 1--l-l-m-l-kj-kl--4 Mode 7 D, Da
147d 1--l-l-m-l-k-kl--4 Mode 7 D2
146a 1--l-l-m-l-k-jl--4 Mode 7 D3
334a 1--l-l-m-l-kj-kkkm--4 Mode 7 E
328a 1--k-h-j-k-h-gh--4 Mode 8 A
96i 1--k-k-h-k-kj-j--4 Mode 8 B2
99d 1--k-k-h-k-l-k--4 Mode 8 C
99bb 1--k-k-h-k-lk-k--4 Mode 8 Ca
84a 1--k-h-j-k-h-g--4 Mode 8 G, G6
84b 1--k-h-j-k-hG-g--4 Mode 8 Ga
84d 1--k-h-j-k-hh-g--4 Mode 8 Gb
164a 1--g-g-g-d-f-ed--4 Tonus Peregrinus P